The Road is ON With Molly Mac (part 3)

This is our third and concluding blog post from artist Molly Mac on the Summer Field Studies project “How to Get THERE ( the dam) from HERE (Seattle).” 

 

First we ate breakfast.

Then I reminded everybody about three things:

1. How to download a QR code reader for a mobile device
2. I have two heroes: Eva Hesse & Amanda Beard
3. For the rest of the day I’ll give away my voice in 4 color-coded roles: YELLOW is normal voice (wears black and knows she is doing an art project); GREEN voice gives advice; BLUE voice gives facts; PINK voice makes confessions (after she frames a safe space to do so).

THEN I read Richard Serra’s verb list: “Actions to Relate to Oneself”
..which was dry, imperative, and kind of embarrassing, I think.

9:26am

THEN we drove from the Dam to the Security Facility (facade)

9:42am

9:44am

pink gave this:

 

blue gave this:

 

THEN we drove from the security facade to the Lake Roosevelt Boat Launch.

9:56am

green gave this (it was a BIG sticker):

 

THEN we drove from the Lake Roosevelt boat Launch to the Crown Point Lookout.

>>pink did not have a sticker<<
http://youtu.be/HpEwY3ynZg8?t=16s

THEN we drove from Crown Point Lookout to a picnic table by Devil’s Punchbowl (Steamboat Rock State Park)

10:49am

green gave this:

 

………. to be continued……

……click here to find the rest……..

 

The Week Ahead @ Henry

This week will be an auditory adventure — full of sounds, sun, and… paddles?

 

Performance: Seattle Phonographers Union

Thursday, July 24, 7-9 PM

Field Recording a Glacier. Photo courtesy of Steve Peters.

Field Recording a Glacier. Photo courtesy of Steve Peters.

 

 

 

Join exhibiting artist Steve Peters for a live performance and sonic investigation with the Seattle Phonographers Union in conjunction with With Hidden Noise, on view through September 7.

The Seattle Phonographers Union is a collective that improvises with unprocessed field recordings to explore the ways in which we recognize, differentiate, map, and navigate our sonic environment.

$5 Henry members

$10 General public

Buy your tickets HERE!

 

Summer Field Studies: Friendship Trail

Saturday, July 26, 2014, 1-5 PM

 

no wake

 

 

 

 

 

 

 

 

 

 

 

This week, Summer Field Studies features an afternoon in which participants will paddle through the Lake Washington Arboretum in search of musical acts, hidden in the bushes. Led by Nautical Adventure Seeker Clyde Petersen of Boating with Clyde.

The event is BYOBoat, and will meet on Foster Island.

 

Now on view:

Electro-dynamic Drawings: Andrew Deutsch and Stephen Vitiello

With Hidden Noise 

Rineke Dijkstra and Thomas Struth: See•ing

Ken Price: Inside/Outside

 

Upcoming events:

Thursday, July 31, 12:30-1 PM

Public Tour: Art Break!

Saturday, August 2, 10 AM-10 PM

Performance Tour: How to get THERE (the Dam) from HERE (Seattle) with Molly Mac

Sunday, August 3, 10 AM-10 PM

Performance Tour: How to get back THERE (Seattle) from HERE (the Dam)

Be sure to check out Molly Mac’s second post on the blog!

 

 

 

 

 

 

 

 

 

The Road is ON with Molly Mac (part 2)

Today’s post is the second of three written by artist Molly Mac, who will be host/tour guide/performer for “How to get THERE (the Dam) from HERE (Seattle) with Molly Mac.” 

 

 

So far the biggest hurdle in my project is the way we use or don’t use these silly QR codes. It only takes 60 seconds or so to download a QR code reader on your phone.  You can go to the app store or the Google play store (to get one for free – there are lots of different ones). You can also just grab a friend’s phone or something.

To scan a code you open the reader app and it looks kind of like a camera. You don’t actually take a picture. You just frame up the code in the screen and wait. When the phone recognizes the code it makes an approving sound, does a tremble buzz in your hand, and then takes you directly to a website.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Is it possible to whisper into the shape of a shout?

I don’t know but I’m trying anyway, and I’m using my phone and my thumb and 4 color-coded voices.

 

 

That thumb above was 7:09 pm on a July (2014) Tuesday in Seattle. If you listen really closely you can hear a dog barking, and you can hear me catch my breath when the phone buzzes onto the code, and the little digital thunk-clicks my thumb makes on the screen.

It smells like mowing the lawn.  Tastes like an egg salad sandwich (again).  If I turn my head 180 degrees (west?) then it looks like this:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

All ready to go. But there’s still the whisper-shout problem.

And also some combination of phone, and screen, and thumb, and kidneys, and Camry, and glacial geography, and heroes, and shame, and stops on Google maps, and 4 color-coded voices:

 

ADVICE

FACTS

SECRETS

and NORMAL VOICE-

which is important,

 

Because sometimes,

A fact is motivated by advice.

like this:

 

 

 

 

&sometimes,

A fact is motivated by a secret.

like this:

 

 

 

 

&sometimes,

A fact is just a fact.

like this:

 

 

 

 

&sometimes,

A secret is motivated by advice

((advice tried to duck out of the portrait:

 

 

 

 

 

 

&sometimes,

A secret is motivated by a fact

like this:

 

 

 

 

&sometimes,

A secret is just a secret (among facts)

like this:

 

 

 

 

&sometimes,

Advice is motivated by a secret

((advice is still trying to hide from the portrait:

 

 

 

 

 

 

&sometimes (pretty often),

Advice is motivated by a fact.

like this:

 

 

 

 

&sometimes,

Advice is not just advice.

Look closely.

 

 

 

 

 

 

 

 

 

 

 

 

 

And I know I could have just made all of this sound nice and YELLOW, but then how would you ever know the difference?

 

 

 

 

If you don’t scan or click the codes you could make up your own stories for these templates. Or just sign up to keep going with me… August 2-3. You should book soon if you want to come.

 

In the meantime, here is a low-res, color coded fan letter: I color coded it after I sent it. I blurred it before I uploaded it. I promise to explain all this on the trip.

 

 

 

 

What do you like to do in your Down Time?

 

If you want to learn how to do something, where do you go? To the internet!

Inspired by Do-It-Yourself culture and the wealth of how-to resources on the internet, our new Test Site  exploration, Down Time, is an eight-week presentation that explores free-choice learning and the pursuit of entertainment in our free time.

Most of us have gone to YouTube to watch a video on how to do [insert your favorite, tangential, and/or esoteric interest here]. Within a sea of exhibitionists, quacks, and celebrity seekers, we can also find real teachers and mentors who want to share their knowledge openly and at no cost.

And that is what we want to do for you this summer, gentle reader.

Each week,  Down Time will focus on a theme or activity in the form of video tutorials found on the web and will culminate with a  live tutorial or workshop hosted in the Test Site led by a guest local practitioner. These face-to-face learning opportunities offer an alternative to the online tutorials, allowing visitors to contrast and compare online learning with live tutorials.

The videos presented in this project were selected as a result of recommendations from specialists in each of the areas presented, suggestions from internet enthusiasts, and from Henry staff (ahem, official FYI: the video content presented in Down Time is not endorsed by Henry Art Gallery nor is it necessarily reflect the views of the institution).

Mark your calendars!

Week 1: Home Fermentation

Friday, July 5th at 4 p.m.

Kombucha demo with Chris Joyner of CommuniTea

Check out our Facebook invitation. The first 10 people to arrive on Friday, get a FREE starter kit — and if you ride your bike, you’ll get in to the museum for FREE because it’s Bike Friday!

Week 2: Extreme Makeovers  

Friday, July 12 at 5 p.m.

Make-up demos with Shannon Bisconer of Vain

Week 3: Life Hacks

Friday, August 19 at 6 p.m.

Light in a Jar Demo with Ned Konz of Jigsaw Renaissance

Week 4: Yoga

Tuesday, July  – Friday, July 27 at 12 p.m.

Yoga with Julia Greenway of Interstitial Theatre

Week 5: Throat Singing

Friday, August 2 at 4 p.m.

Throat Singing Workshop with Arrington de Dionyso

Week 6: Music Video Dance Tutorials

Friday, August 9 at 6 p.m.

Workshop with Kate Wallich

 

Critical Issues in Contemporary Art Practice

UW Art Lectures Poster

This quarter, the Henry is hosting ART 361, Critical Issues in Contemporary Art Practice, in our auditorium. The class features artist lectures every Thursday night (until March 7th) at 7 pm. With sponsorship from the New Foundation, the class “lectures” are open and free to the public. That means YOU. This series is part of the new Nebula Project. The Nebula Project is a new initiative of the UW Division of Art that will support a variety of experiences to promote and expose contemporary art to our students, staff and faculty as well as to the broader arts community.   The Nebula Project has been made possible by the generous support of The School of Art, The College of Arts and Sciences, The New Foundation Seattle and the Henry Art Gallery.

Here is what you have to look forward to (Or miss out on. Your choice):

February 21st
Sam Lewitt’s practice often examines communications systems and technologies, both obsolete and cutting edge, that are central to contemporary life. For the 2012 Biennial, his subject is ferrofluid, a mixture of magnetic particles suspended in liquid that is used in a wide variety of technological applications, including computer hard drives, audio speakers, educational tools, and military aircraft. In the presence of a magnet, ferrofluid coagulates to resemble a solid mass, its contours conforming to the magnetic field yet retaining the plasticity of a liquid.

February 28th
Tamara Henderson is a Canadian artist who lives and works in Vancouver, British Columbia. She will speak about her artwork. Read more about her on this webpage, plus she has a video posted on Vimeo. Henderson is also involved in a project in the Jacob Lawrence Gallery that involves building a bar-like structure and film set in one of the gallery rooms. Working with her will be Julia Feyrer, another Vancouver, BC, artist.

March 7th
Makan, founded in 2003, is an art space, a project and a collective based in Amman, San Francisco and somewhere in between. Alongside Samah Hijawi, the three collective members include Ola El-Khalidi and Diala Khasawnih. Ola works in the arts as an organizer, curator, and collaborator; she received an MA in curatorial practice from the California College of the Arts in San Francisco in 2012. Diala is an artist and a translator who likes to bring people around a table to eat and talk, and if that could be art, she is happy.

Guest Blog: Molly Mac

Molly Mac  is a moving image and sound artist who lives and works in Seattle, has worked with the UW’s Center for DXARTS and has been exhibited on both coasts as well as internationally. Next month, Molly and Wynne Greenwood will be leading a workshop on Immersive Video and Public Dialogue at the Henry with Reel Grrls

Without further ado, I give you Molly Mac:

Five Alarms Greenwood Lit CrawlI’m excited.

Five Alarms Greenwood Lit Crawl curators Greg Bem, Aaron Kokorowski & Graham Isaac have created a really important platform at a really important time.

A Quintet of Quays

Continue reading

An Interview with Carrie Ahern

I had the pleasure of being able to talk to Carrie Ahern, who is an independent dance and performance artist based in New York City. Next week, she will be performing Borrowed Prey here in Seattle.

Would you tell me how you came to be a dance and performance artist?
I’m from Milwaukee, Wisconsin and I was dancing/training as a teenager at Milwaukee Ballet School. On Saturdays we had a jazz teacher who had us improvise—improvising gave my first taste of creating movement. Then I decided to move to New York City to pursue a dance career when I was 19. So I came at my career a little differently. I didn’t go to college for it. I had very little experience with modern dance before New York City.  And then by age 20—–I made my first dance at someone’s suggestion.

Where did the idea for Borrowed Prey come from?
I had this idea or this thing that was bothering me for a while. Just that you go into a grocery store, especially in an extreme urban environment such as New York and the meat there is on a Styrofoam tray with plastic wrap over it. At the same time I felt that people were talking a lot about sustainable food. I felt I didn’t really know what that meant and so I wanted to find out. I wanted do my own first hand research about food–specifically in terms of meat, in terms of animals.

  Continue reading