An Evening with Ann Hamilton Monday, March 30, 7:30 – 9 PM
As part of the Seattle Arts & Lecture series, artist Ann Hamilton speaks at Town Hall about her work, her exhibition at the Henry, and her upcoming commission for Waterfront Seattle. Tickets have been flying out the door. Purchase yours here.
INCITE•INSIGHT lecture: Suzanne Bocanegra Thursday, April 2, 7 – 9 PM
Join us for the last lecture of the INCITE•INSIGHT series, our partnership with Cornish College of the Arts. Suzanne Bocanegra shares her journey of becoming an artist with an evening that is part artist’s talk, part performance, part cultural history, and part sound installation. This is the premiere of When a Priest Marries a Witch, an Artist Talk by Suzanne Bocanegra Starring Paul Lazar.
Bull Roarchestra with Stuart Dempster Sunday, March 29, 2:30 – 3:30 PM
Join us for an encore performance by composer and UW School of Music Professor Emeritus Stuart Dempster and his specially assembled Bull Roarchestra as they respond to the atmosphere and sounds created by the Field of Bullroarers in our lower level gallery.
ArtBreak: Video//Yoga Thursday, March 19th, 12:30 – 1:30 PM
Enrich your yoga experience with Julia Greenway, curator and teacher at Interstitial Theatre. The classes are accompanied by video art and occur the third Thursday of every month.
In just over a month, “the common S E N S E” will close. Don’t miss out on becoming a part of the exhibition!
the common S E N S E opened this past October and has occupied the entire museum with animal specimen images, historic garments, and mechanical bullroarers that have inspired many musical compositions. In this exhibition, Ann Hamilton explores the tangible and intangible ways of touch and the interdependence between humans and other animals.
Unlike traditional museum exhibitions where one is restricted from touching the art, Hamilton invites guests to take away newsprint images of animals from the walls of the upper galleries and become a part of the exhibition by having their picture taken in a special photo booth. The image is added to the collection of guest photos displayed on the mezzanine.
Threading throughout the museum are shelves offering excerpts of text that reference touch. Hamilton invites guests to read and take away selections of text that are significant to you as an individual. The excerpts have been submitted via the Henry’s Tumblr, Readers Reading Readers. Submissions are still being accepted.
Hamilton also invites museum-goers to become a part of the common S E N S E by signing up to be a reader/scribe. Reader/scribes read aloud to an artifact of their own choosing and use their voice as a form of touch. Check out the video below for an inside view of becoming a reader/scribe:
This blog post was written by Angie Yin, a UW student and Communication Assistant at the Henry.
ArtBreak: Mindfulness Meditation Thurs, March 12, 12:30 – 1:30 PM
Come de-stress and soak in art during this meditation session by engaging and observing your physical, mental, and emotional experiences.
Oh man, we are just crawling out of bed after Saturday night’s fantastic Future History Gala. THANK YOU to everyone who came and supported the Henry! We couldn’t do it without you — and we wouldn’t want to.
ArtBreak: Robert Twomey Saturday, March 7, 2:30 – 3 PM
Artist and UW Ph.D. candidate in DXARTS, Robert Twomey, will be exploring questions on interactive artwork and how art identity is achieved through installation and performance. Twomey has also been a vital part in creating the Field of Bullroarers in the common S E N S E. You don’t want to miss out!
Today’s blog post is written by Erika VanHorne, UW senior and choir president of the UW Chorale.
On the eve of “An Evening in the Galleries with the UW Chorale,” a special event that was held in conjunction with the Henry’s exhibition Ann Hamilton: the common S E N S E, I was nervous. This experience was unprecedented for me as a collegiate choral singer – a deliberate inversion of my ossified conceptions of performance, space, and audience. Yet as the choir reverently filed into the gallery that whirred with otherworldly bullroarers, my sense of trepidation dissipated – replaced with a transfixed reverie.
Audience members expectantly dispersed themselves among the jumbled choristers – but my focus was directed at the machines that crescendoed in tandem with our voices. We moved next to the North gallery where canonical choral literature was sung among images of specimens printed on newsprint. The sheets which rippled softly as the audience quietly stepped around us and them. Next, the choir slowly dissolved and dispersed throughout the Henry – allowing singers to wander as individuals.
These improvisations took on a meditative nature – as I grasped for the names of the immured specimens through song, I induced an inner dialogue on the nature of human-derived taxonomies. In this time of independent song, a fellow chorister would occasionally sidle up next to me – intertwining a voice with mine in unexpected, sublime euphony. As the boundary between performer and gallery visitor also evaporated, I found another audience – the specimens themselves. Through lyrics, these creatures were anthropomorphized with an intimate sonic tactility – at once haunting and familiar.
Although I visited this exhibition at its opening, this event became an unexpectedly meaningful experience for me. Throughout my university experience, I have found that the most enriching experiences are those that transcend the false dichotomy within the arts and academic disciplines. In this interdisciplinary vein, artist Ann Hamilton and Dr. Giselle Wyers, director of the UW Chorale, crafted an evocative, organic experience through an unexpected fusion of song, art, material culture, and biology that challenged my boundaries as a singer and humanist.